Showing posts with label alien invasion. Show all posts
Showing posts with label alien invasion. Show all posts

Friday, May 13, 2011


Village of the Damned (1960)
UK --- science fiction/ horror

Dir: Wolf Rilla

Just what is it with cinema’s long sad history of antagonizing young children? Maybe it’s because we see them as so innocent, no wrong can be done from their precious little minds. Or perhaps there is a deep dark fear that with everything our forefathers and we have built and strived to create in our world, the next generation could easily rip down everything and destroy it.


Somewhere around the mid 1950's and on into the present, there has been a quaint little sub-genre of horror cinema that specifically involves evil children. I'm not sure anyone has pin-pointed when it started, but I would suggest it began with the 1956 Leroy Mervyn film "The Bad Seed". Along with that movie, "Village of the Damned" appears to be a post-World War II commentary on what exactly lies in the future minds of our youth. It's apparent to note other films of a similar ilk like "Blackboard Jungle", "The Wild One" and "Rebel Without a Cause" which focused more specifically with rebellious teenagers. But I digress, this "evil children" phenomenon seemed to deal specifically with the unnerving feeling of having birthed an almost demonic force that adults fear. Television even picked up on this when "The Twilight Zone" adapted Jerome Bixby's tale "It's A Good Life" to the airwaves. So there is definitely something to this. I suppose one can simply find the origin of this in a reversal of the immaculate conception of Jesus Christ. Instead, of course this is probably pointing to (as the film "The Omen" did) specifically the anti-Christ.

Based on science fiction novelist John Wyndam's 1957 novel "The Midwich Cuckoos", the film "Village of the Damned" weaves a terrifying tale of a town that is slowly destroyed from within, by a new found breed of peculiar children. When Maj. Alan Bernard (Michael Gwynn of "Revenge of Frankenstein") places a phone call to his brother-in-law Professor Gordon Zellaby (George Sanders), he loses him. We see him and everyone else in the small town of Midwich pass out. We then see that it's not just him, but the entire town including animals has passed out. For several hours the residents of Midwich are secluded within a mysterious "time out", that has no scientific explanation.

Upon investigation, Maj. Bernard finds that it is only the town from a certain perimeter that has experienced this phenomenon. They set up a quarantine around the town with the town doctor standing by to discern just what has happened. With no real signs of anything malignant, everyone eventually does awaken. Professor Zellaby and his wife wake up hours later with odd effects such as a chill and numbness. However, not too long later, all the women of  child-bearing age who experienced the "time-out" discover that they are mysteriously pregnant, including Mrs. Zellaby. The doctor and town parishioner find that they have no explanation whatsoever for this event. When the children come on the scene, the townsfolk realize they are all related by strange eyes, platinum blonder hair, an apathetic demeanor, a shared high intellect, and most of all they exhibit the capacity for Extrasensory Perception and even mind control.

At the rapid pace of these children's aging, Professor Zellaby, the town doctor, and Maj. Bernard realize they may need to study these children more closely. In a meeting with some scientific minds and the military, they also learn that the same "time-out" occurred in other countries, including the Soviet Union, Australia, and an Inuit tribe in Canada which killed their children. With the exception of the Soviet Union who were training their children, most of the other children did not survive, which leads Zellaby to a sympathetic stance, feeling there could be unexplored assets to studying them further. He bargains with this small council to keep them under close watch for one year under his watch. They all agree, and thus trouble begins.

The Zellaby child, David, seems to position himself as the ringleader of the children, which makes the Professor even more eager to explore their prowess. However, when they begin to kill some of the villagers out of self-defense and then just plain old eliminating anyone of a threat, things become more hairy. When news comes that the Soviets destroyed their children in one village like Hiroshima, the Professor has become aware that drastic actions must be taken one way or another.

"Village of the Damned" is an excellent science fiction film. Unfortunately, over the years it has, as mentioned, turned into a horror cliche, and all remnants of sci-fi are gone. In fact the only mention of aliens is in one scene in the film. Clocks figure prominently in the theme of "Village of the Damned" appropriately. The novel is called "The Midwich Cuckoos", as in the cuckoo bird which we associate with the cuckoo clock. However, the title is insinuating more than that, as the nature of the cuckoo bird is to lay its eggs in the nest of another birds species. The mother will feed the the young cuckoo birds unbeknownst of their lineage. Interestingly, the spooky eyes used in the film, look strikingly similar to the cuckoo birds eyes.

There was a remake of the film in 1995 by horror master John Carpenter. The film transported Midwich to New England, America, and concentrated more on the horror aspect of the story, and threw in a government conspiracy. In fact the only mention of extraterrestrial possibility is in a classroom scene in the original film where Professor Zellaby asked the children about life on other planets. The idea of abortion was brought up in this version of the film, which is interesting since the original film sparked controversy from Catholic anti-abortion groups, even though there was no mention or hints about the subject. "Village of the Damned" is a classic science fiction film that goes beyond the Cold War nightmares of science gone wrong, and hits more at the heart of our own psyche. As opposed to nuclear threats, there's the threat of the minds behind those who could potentially hit that button in the first place. The look of the children is a clear homage to Hitler's ideologies of an Aryan Übermensch (translated "Super Man"). The Nazis actually recruited Aryan women for a program called Lebensborn and impregnated them for this purpose. They also kidnapped thousands of blonde-haired blue-eyed children. It's safe to say, John Wyndam was definitely inspired by these true events when putting "The Midwich Cuckoos" to paper.

Friday, April 1, 2011


Uchū Kaisokusen (Invasion of the Neptune Men) (1961)
JAPAN --- science fiction

Dir: Koji Ota

I'm a Gen-Xer, not a baby-boomer. I did not grow up in the 1950's or 60's. So, looking back on the films and television properties of that era is always interesting for me. I guess my main attraction would be to see how the science fiction genre evolved. In Japan, Tokusatsu (which is loosely translated from meaning "special photography" or "special effects"), became a genre in the mid-1950's following the massive success and inspiration of the Gojira films. Theatres ran serials of a character called "Sūpā Jaiantsu" (Super Giant), which was a success. Of course, Japanese television began to air Tokusatsu shows, the first being "Gekkō Kamen" in 1958. Soon after this hit, a slew of copy cats invaded the airwaves for the children's television market. These shows inspired series that even came to America as late as the 90's with shows like "Ultraman" and "Power Rangers". Of course anything that gets too successful is going to have multiple knockoffs. This film is no exception. Uchū Kaisokusen (Invasion of the Neptune Men) is a pretty cheesy fun children's science fiction film from the cold war era.


This review is going to be biased because it's going off the dubbed American version, and not the original Japanese dialogue, though I doubt it would matter much. Featuring the debut of Shinichi Chiba (later to be named Sonny Chiba of The Streetfighter, Kill Bill fame), Uchū Kaisokusen involves a scientist, Tabana, who's alter-ego happens to be the superhero "Iron-Sharp" (or Space Chief in the English dub). When a group of boys mistake a UFO for a fallen satellite, they are attacked by bullet-helmeted alien beings; it's "Space Chief" to the rescue. After a quick defeat, the aliens rocket back into space and the hero "Space Chief" receives his name from the boys. Soon, a strange electronic band wave causes a series of odd events such as clocks running backwards and trains reversing. Scientists (including Tabana) learn that the wave is coming from the earth and emitted into space. Later, the kids find a left over piece of the alien ship, which eventually lead scientists to pinpoint the source of the wave is coming from Neptune. Of course, this means war, as the aliens plan to invade earth, and only "Space Chief" can save the day.

American producer Walter Manley snatched up this film along with the "Prince of Space" serials, which he edited together into films. The dubbed American actors over the Japanese dialogue has not aged well. Something that has become acceptably standard for the anime or Shaw Bros. kung-fu genre is not all that great here. Maybe it's just me. While this films progenitor, "Prince of Space" serials, had an over-the-top villainous Hitler-inspired Krankor and his minions, the aliens in this film are pretty lame. It also brings up the fact that using WWII file footage in a children's film is kinda strange.

Friday, March 11, 2011


They Came From Beyond Space (1967)
UK
--- science fiction

Dir: Freddie Francis

Amicus Studios enjoyed being a contemporary rival of the famous Hammer Studios during the 60's and 70's. While Hammers forte remained in remaking classic gothic horror films, Amicus went the route of producing anthology horror films. However, they did make a few forays in the science fiction genre, most successfully with the Peter Cushing Dr. Who feature films. I highly doubt this film would be boasted about, but it is an interesting piece. Of what exactly, is for you to decide.

Based on the 1964 novel "The Gods Hate Kansas" by American author of film novelizations Joseph J. Millard, "They Came From Beyond Space" tells the tale of several meteorites that crash land on earth in a "v" formation in the rural English countryside of Cornwall. Soon astronomy official, Richard Arden, contacts the one man they claim can solve the mystery, a Dr. Curtis Temple (played by American actor Robert Hutton). Temple is prohibited by his doctor to go on the investigation due to his recent recovery from a motorcycle accident, which gave him a metal plate in the head. He does, however, send one of his trusted assistants and apparent love interest Lee Mason.

Lee travels out to see the meteorites for herself, but during their study, the group is instantly is mentally invaded by an alien entities. Back at the lab, Dr. Temple and an associate discover these meteors originate from the earth's moon. The aliens now inhabiting the scientists bodies immediately go to a local bank to acquire funds for their mission. They send Arden to go pick up Temple and his associate, but its really of course to take their bodies of which they only succeed with one of them. Temple immediately sees that something very awry is happening, and he goes to find and question Lee for himself at the Roberts farm. Temple is surprised upon arrival that it has practically become a demilitarized zone quartined complete witg electrical fences and armed soldiers.

After meeting with Lee, Temple sees she is a totally different person. This leads Temple to desperately seek out Lee and Arden, to which after cornering her, she shoots him with some kind of raygun. He wakes up in the home of a gas station addentant, and soon after leaving to continue his search, he runs into a government agent named Stillwell. Things take a deadly turn, when Stillwell goes to make a call in the phone booth and becomes infected with a virus that covers the victim with spots of blood as well as anyone who comes in contact with a carrier. When concerned onlookers surround Temple and Stillwell, they all become infected by this "crimson plague" (possibly inspired by red weed from War of the Worlds). Curiously, Temple is once again immune to this as well.

Temple notices the female gas station attendant in the crowd of onlookers, but seemingly unaffected by the plague. Later at home, he catches a news report on the incident, but is soon paid a visit by another government agent named Williams. Temple notices, after he leaves and goes to his car, that the gas station attendant again is in the drivers seat. He tries to track her down by returning to the gas station, except he finds a bunch of heavies determined to make him mind his own business. Temple stakes out the farm later that night and witnesses a rocket launched from a immersed launchpad in the swamp. With unwavering determination, Temple returns to the farm and goes on full-on assault against the invaders in an attempt to infilitrate the farm. Once he gets in, he has an uncomfortably long fist fight with an invader, but before long he prevails only to find a collection of plague victims bodies frozen in some kind of containment area. Eventually, he is captured by the invader Arden.

They allow him the courtesy of imprisonment, as the invader Arden explains what is really happening. He explains to Dr. Temple that they are trying to bury the "crimson plague" victims on the moon where they won't be a threat to humanity. Temple highly doubts the story, and quickly devises an escape plan based on a loophole he discovers in their little security system. Just in time too, as the invaders have no intentions of keeping him alive.

Getting rid of Arden, Temple goes directly for Lee Mason and just barely gets them out of there alive. He takes her to a colleague named Farge, where they realize they have to find a weapon against these alien invaders. He and Farge construct a colander for a helmet to protect him, since Temple has been protected by that silver plate in his head. They eventually free Dr. Mason from the alien entity and ultimately return to the farm to confront the beings from outer space, and solve the answers to rest of their questions.

"They Came From Beyond Space" is a fun Saturday afternoon movie to watch that doesn't insult your intelligence too much. If the title sounds familiar, yeah, this film shares some similarities to the American 50's B-movie "It Came From Outer Space". The score, provided by James Stevens, is clearly the Sixties bebop you'd expect from a film from this era. It comes as no surprise he also contributed to Ed Woods' dubious classic "Plan 9 from Outerspace". I think this film might've been a decent cult classic had it not taken itself so serious. Besides being clearly inspired by the much better executed film "Invasion of the Body Snatchers", the plot has been rehashed on reguar sci-fi tv shows, that its originality is all but lost on modern viewers. This is exactly the kind of film Tobe Hooper was paying homage to in his film "Lifeforce" which I pointed out in my review of that film.

Friday, July 24, 2009



Lifeforce (1985)
UK --- science fiction/horror

Dir: Tobe Hooper

What is the true origin of vampires? Lifeforce suggests the answer lies beyond the stars. Master of Horror Tobe Hooper and “Alien” brainchild Dan O’Bannon teamed for this visually entertaining homage to some of Europe’s B-grade science fiction and horror cinema of the 50‘s and 60‘s.

When the HMS Churchill space shuttle embarked for a mission to explore Halley’s Comet, they discover a 150-mile long starship in the comets wake. The team commanded by Colonel Carlsen, (played by Steve Railsback) which is a merger of both US and Great Britain astronauts, send out a party to investigate. Within the gigantic tubular confines of the ship, the party finds dozens of dead bat-like alien creatures, and a trio of humanoid-alien bodies encased in transparent coffins. There are two males and one incredibly alluring female. The team decides to return to the ship with the bodies and one of the bat-like creatures’ corpses.

Thirty days later, we find that the HMS Churchill has been out of contact with earth and the USS Columbia has been dispatched to investigate the floating mystery ship. They find the charred remains of the crew and their storage; the three encased bodies still intact. The humanoid-aliens are returned to London‘s Space Research Centre, where some scientists conduct a series of tests to find out just what they are. They leave the bodies alone, but under strict surveillance, that is until, in tried and true Hammer Horror form, the space lady (played by dancer Mathilda May) opens her eyes and rises from her coffin. Besides standing stark naked in front of a guard, she goes over to him and locks lips effectively stealing his life-force as he is quickly turned into a fleshy shell of himself. Having witnessed the reanimated corpse rise to life on a surveillance camera, the Space Research Centre chief, rushes to the scene. He gets within but a few feet of the space girl and becomes weakened in her presence, later claiming he felt overwhelmed. At this point we know just what’s going to happen as she escapes the high security facility of the SRC.

After she escapes, the scientists decide to perform an autopsy on the corpse of the guard’s fleshly corpse, only to find he is not really dead. He rises from the autopsy table and sucks the life-force from one of the coroner surgeons, and it would seem transforms back to his original human form. Meanwhile, a British government agent, Col. Caine, is assigned to investigate this case has both the chief of the SRC and doctor

The scientists are shocked to discover that the bodies become reanimated after sucking the life-force of another human being. However, they learn it is only temporary, as these “vampires” must continue to do so for within a certain time span or else they will explode and be utterly destroyed. Now that the scientists realize what’s at stake, they come to the conclusion they are on they’re way to vampire epidemic in London. The space girl is already loose and has taken another victim and shown a new ability as she is able to assume the body and identity of whomever’s life-force she consumes. At this point, the HMS Churchill’s escape pod is recovered in Texas and Colonel Carlsen is recovered from it. The scientists of the SRC immediately demand his assistance and knowledge of what happened on board the Churchill. He is the key to discerning what these creatures are all about, in hopes of finding some way to quell the vampire epidemic about to ensue in London.

Based on the novel “Space Vampires” by British author Colin Wilson, “Lifeforce” is one of those films that is apparently quite polarizing. Some dismiss it as really bad movie, and some see it for what it is; a cheesy homage to B movies. IMHO, it follows in the same tradition as “Fright Night” or “Night of the Creeps“. I do think there were a couple of problems that didn’t allow the audience to get what it was doing. Cannon films is not a big budget studio in the likes of Universal or Paramount who would have had a say in what they were getting back - sometimes suit interference is a good thing. Another thing, perhaps with the haughty British performances which really did appear to make you take this film “deadly” serious, however there are some scenes of humor even just with the presence of Aubrey Morris that beg to differ. One my personal issues is the ending does seem anticlimactic and leaves much to be desired. To play devil’s advocate, the one thing they got right for many reasons was the casting of Mathilda May. Besides being nude, she perfectly exudes all kinds of allusions to B-grade film. In her eyes, she embodies the raven-haired “Brides of Dracula”, she has the body of a Russ Meyer heroine, and displays a creepy silence about her that feels very much directed by Mario Bava.